Being caged is a choice
Thursday, December 4th, 2008One of my favorite relationships that I have with a magazine is the one I have with Our Brown County. It’s a free monthly publication that can be obtained at stands throughout Nashville, Helmsburg, Story and other notable Brown County towns. Its main intent is to acquaint visitors with the lifestyle, lore and colorful characters that make Brown County life unique.
For our out-of-state readers, Brown County is generally regarded as the most scenic area in Indiana. Its heavily wooded hills were the setting for one of America’s most distinguished artist colonies in the early twentieth century. Landscape oil painters such as T.C. Steele and Marie Goth moved there and found an inexhaustible supply of subject matter.
At this point, Nashville, the county seat, is still home to some serious and distinguished painters. A lot of local atisan / craftspeople display in the galleries and shops. There is, inevitably, some tourist-trap enterprise as part of the mix. Brown County culture is defined to a considerable extent by the food. Fried biscuits and apple butter are a treat not to be missed. There is also a yee-haw element. One of the world’s premier bluegrass festivals takes place in Bean Blossom every summer.
But even such a description as I have offered does a disservice to the actuality of Brown County life. The rewarding thing about my Our Brown County work is that I’m constantly encountering people who fly under life’s radar screen. They’re beyond “colorful.” Where else are you going to find the likes of Jerome Sandserson or Fairy Tale Theater?
My current assignment is to profile a bluegrass band. This afternoon, I went to the home of one of the guitarists. When he met me at the door, he was so bent over he couldn’t look me in the eye. He remained that way as he beckoned me in. When he sat down on the couch, I watched his entire midsection, from his pelvis to his rib cage, move as one solid unit, just plunk down at as comfortable an angle as possible.
My assumption was “car wreck injury.” After he got seated, it didn’t come up in our conversation for quite a while. We had a great exhcange about improvisation and the parallels between bluegrass and jazz, about his family’s roots in the county, the band’s goals.
I believe it was in connection with his mentioning staying home with his small daughter that he came to address his condition. What he has is some kind of disease that turns your body’s cartilege into bone tissue. Your skeleton fuses together. He expects to die within ten years. His rib cage will turn into tightening armor around his heart and lungs.
He’s made a choice. He’s going to live with as much dignity as his situation will permit, do his best to be a growing human being, a good father and an ever more refined musician. To be in his presence is to have the “How-would-I -handle-it” question thrown right in your face.
Then again, how do we do it, anyway? We know not our hour, but we know it will come.
Life went slower this afternoon. There was time- or maybe I just took the time - to scan the details of my cognitive field and home in on what was important, what was really worth paying attention to.
I know there’s a lot that demands our attention these days. It’s all important, some of it downright urgent. Still, cultivate your humanity. Cultivate the ability to recognize humanity. The truly valuable stuff of life can still be had for the small price of our attention.